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	<title>the memory palace &#187; manhattan</title>
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	<link>http://thememorypalace.us</link>
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	<copyright>2008-2009 </copyright>
	<managingEditor>natedimeo@gmail.com (Nate DiMeo)</managingEditor>
	<webMaster>natedimeo@gmail.com (Nate DiMeo)</webMaster>
	<category>History Public Radio</category>
	<ttl>1440</ttl>
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		<title>the memory palace &#187; manhattan</title>
		<link>http://thememorypalace.us</link>
		<width>144</width>
		<height>144</height>
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	<itunes:new-feed-url>http://thememorypalace.us/feed/</itunes:new-feed-url>
	<itunes:subtitle></itunes:subtitle>
	<itunes:summary>Back with new episodes in 2011. From award-winning public radio producer, Nate DiMeo, comes The Memory Palace. Short, surprising stories of the past, sometimes heartbreaking, sometimes hysterical, always super-great.  For history buffs, fans of public radio shows like This American Life, Radio Lab, and whatnot, and for all admirers of things that are super-great.  www.thememorypalace.us  \&#34;The best little podcast in the world\&#34; -- Mojo Magazine</itunes:summary>
	<itunes:keywords>history, public radio, memory, this american life, radio lab, npr, boingboing, new yorker</itunes:keywords>
	<itunes:category text="Society &#38; Culture">
		<itunes:category text="History" />
	</itunes:category>
	<itunes:category text="Society &#38; Culture" />
	<itunes:category text="Arts" />
	<itunes:author>Nate DiMeo</itunes:author>
	<itunes:owner>
		<itunes:name>Nate DiMeo</itunes:name>
		<itunes:email>natedimeo@gmail.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://thememorypalace.us/wp-content/uploads/2009/08/the-memory-palace-for-itunes-with-text.jpg" />
		<item>
		<title>A Stretch</title>
		<link>http://thememorypalace.us/2011/07/a-stretch/</link>
		<comments>http://thememorypalace.us/2011/07/a-stretch/#comments</comments>
		<pubDate>Wed, 06 Jul 2011 05:53:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[Music, Footnotes & Ephemera]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[buildings]]></category>
		<category><![CDATA[hurricanes]]></category>
		<category><![CDATA[labor]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[railroads]]></category>
		<category><![CDATA[trains]]></category>

		<guid isPermaLink="false">http://thememorypalace.us/?p=849</guid>
		<description><![CDATA[Music: We&#8217;ve got three pieces (Chickens, Swamp, and Squirrels) from Orion Riegel Dommisse&#8217;s album, also, delightfully, called chickens. Windy bit is Africastle by Battles. Plucky, shuffly, stringy bit is from Alexandre Desplat&#8217;s score to The Fantastic Mr. Fox. Notes: This &#8230; <a href="http://thememorypalace.us/2011/07/a-stretch/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thememorypalace.us/wp-content/uploads/2011/07/A-Stretch-Full-Size.jpg"><img src="http://thememorypalace.us/wp-content/uploads/2011/07/A-Stretch-Full-Size.jpg" alt="" title="A Stretch Full Size" width="290" height="288" class="aligncenter size-full wp-image-851" /></a>Music:  We&#8217;ve got three pieces (Chickens, Swamp, and Squirrels) from Orion Riegel Dommisse&#8217;s <a href="http://orionrigeldommisse.bandcamp.com/album/chickens">album</a>, also, delightfully, called chickens.  Windy bit is Africastle by Battles.  Plucky, shuffly, stringy bit is from Alexandre Desplat&#8217;s score to The Fantastic Mr. Fox.</p>
<p>Notes:  This episode was originally commissioned for the fine, fine design and architecture podcast, 99% Invisible.  Hear a shorter version (and discover more about said fine, fine podcast, <a href="http://99percentinvisible.org/">here</a>).  Also note: 99% Invisible is produced by my friend, Roman Mars.  Until he was modestly internet-famous, Roman&#8217;s image was nearly impossible to Google-image as you&#8217;d just get a bunch of Roman statuary.  </p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2011/07/a-stretch/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
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		<itunes:duration>7:15</itunes:duration>
		<itunes:subtitle>Music:  We've got three pieces (Chickens, Swamp, and Squirrels) from Orion Riegel Dommisse's album, also, delightfully, called chickens.  Windy bit is Africastle by ...</itunes:subtitle>
		<itunes:summary>Music:  We've got three pieces (Chickens, Swamp, and Squirrels) from Orion Riegel Dommisse's album, also, delightfully, called chickens.  Windy bit is Africastle by Battles.  Plucky, shuffly, stringy bit is from Alexandre Desplat's score to The Fantastic Mr. Fox.

Notes:  This episode was originally commissioned for the fine, fine design and architecture podcast, 99% Invisible.  Hear a shorter version (and discover more about said fine, fine podcast, here).  Also note: 99% Invisible is produced by my friend, Roman Mars.  Until he was modestly internet-famous, Roman's image was nearly impossible to Google-image as you'd just get a bunch of Roman statuary.  </itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Natural Curiosity</title>
		<link>http://thememorypalace.us/2011/01/natural-curiosity/</link>
		<comments>http://thememorypalace.us/2011/01/natural-curiosity/#comments</comments>
		<pubDate>Thu, 27 Jan 2011 03:28:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[Music, Footnotes & Ephemera]]></category>
		<category><![CDATA[18th Century]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[bad jobs]]></category>
		<category><![CDATA[Connecticut]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[P.T. Barnum]]></category>
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		<category><![CDATA[slavery]]></category>

		<guid isPermaLink="false">http://thememorypalace.us/?p=818</guid>
		<description><![CDATA[The Music: The &#8220;theme,&#8221; as it were, that you hear in the beginning and through a fair amount of the piece is from the opening of the score to the movie, Please Give, as is the piece at the end &#8230; <a href="http://thememorypalace.us/2011/01/natural-curiosity/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The Music:  The &#8220;theme,&#8221; as it were, that you hear in the beginning and through a fair amount of the piece is from the opening of the score to the movie, <em>Please Give</em>, as is the piece at the end (Memory Palace Thumbs Up on both the movie and the score, by the way).  We also hear a song called Le Chat Noir and a bit of a song called Quiet Drive from Elmer Bernstein&#8217;s score to a move called <em>Kings Go Forth</em>, which I&#8217;ve never seen (and is, apparently, a WWII flick in which Sinatra and Tony Curtis get into a love triangle with on the South of France with a townie played, naturally, by Natalie Wood).  There&#8217;s also a piece called &#8220;The Art of the Fugue, BWV 1080: Contrapunctus IX&#8221; by a Tuba Quartet called, ahem, Sotto Voce.  The thing, it turns out, that I love about Sotto Voce is that their albums feature moody/edgy portraits of the four members of the quartet made to look like they&#8217;re in a Nu Metal band, circa 1994.  Also they are called Sotto Voce.  And they are a Tuba Quartet.  </p>
<p>The Footnotes: I read a bunch about Joice Heth but, it turns out, I really only needed to read one thing: <em>The Showman and the Slave: Race, Death, and Memory in Barnum&#8217;s America</em> by a dude named Benjamin Reiss.  It&#8217;s pretty kick-ass.  </p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2011/01/natural-curiosity/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
			<enclosure url="http://thememorypalace.us/podpress_trac/feed/818/0/episode%2037%20.mp3" length="6624438" type="audio/mpeg" />
		<itunes:duration>6:54</itunes:duration>
		<itunes:subtitle>The Music:  The "theme," as it were, that you hear in the beginning and through a fair amount of the piece is from the ...</itunes:subtitle>
		<itunes:summary>The Music:  The "theme," as it were, that you hear in the beginning and through a fair amount of the piece is from the opening of the score to the movie, Please Give, as is the piece at the end (Memory Palace Thumbs Up on both the movie and the score, by the way).  We also hear a song called Le Chat Noir and a bit of a song called Quiet Drive from Elmer Bernstein's score to a move called Kings Go Forth, which I've never seen (and is, apparently, a WWII flick in which Sinatra and Tony Curtis get into a love triangle with on the South of France with a townie played, naturally, by Natalie Wood).  There's also a piece called "The Art of the Fugue, BWV 1080: Contrapunctus IX" by a Tuba Quartet called, ahem, Sotto Voce.  The thing, it turns out, that I love about Sotto Voce is that their albums feature moody/edgy portraits of the four members of the quartet made to look like they're in a Nu Metal band, circa 1994.  Also they are called Sotto Voce.  And they are a Tuba Quartet.  

The Footnotes: I read a bunch about Joice Heth but, it turns out, I really only needed to read one thing: The Showman and the Slave: Race, Death, and Memory in Barnum's America by a dude named Benjamin Reiss.  It's pretty kick-ass.  

</itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>six scenes from the life of william james sidis, wonderful boy</title>
		<link>http://thememorypalace.us/2011/01/six-scenes-in-the-life-of-william-james-sidis-wonderful-boy/</link>
		<comments>http://thememorypalace.us/2011/01/six-scenes-in-the-life-of-william-james-sidis-wonderful-boy/#comments</comments>
		<pubDate>Fri, 07 Jan 2011 20:52:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[Music, Footnotes & Ephemera]]></category>
		<category><![CDATA[20th Century]]></category>
		<category><![CDATA[boris sidis]]></category>
		<category><![CDATA[Boston]]></category>
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		<category><![CDATA[prodigies]]></category>
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		<category><![CDATA[william sidis]]></category>

		<guid isPermaLink="false">http://thememorypalace.us/?p=789</guid>
		<description><![CDATA[The Music: Scene 1: First song is &#8220;Brand New Day&#8221; by Worm is Green. Then a little bit of Gary Numan doing &#8220;Trois Gymnopedies,&#8221; then the second Gymnopedie (lost the name of the pianist). Scene 2: is a small piece &#8230; <a href="http://thememorypalace.us/2011/01/six-scenes-in-the-life-of-william-james-sidis-wonderful-boy/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The Music:  Scene 1: First song is &#8220;Brand New Day&#8221; by Worm is Green.  Then a little bit of Gary Numan doing &#8220;Trois Gymnopedies,&#8221; then the second Gymnopedie (lost the name of the pianist).  Scene 2: is a small piece from the score to <em>Please Give</em>, the (quite good) Nicole Holofcener movie.  Scene 3 uses a piece from the soundtrack to Une Parisienne, the Bridgette Bardot movie and then goes back to Gymnopedie 2.  Scene 4 starts with an excerpt of &#8220;My Wave, Your Shore&#8221; from an Angel Olsen EP (which you should own, by the way). That&#8217;s followed by &#8220;Drop&#8221; by Akira Kosemura and something from the <em>500 Days of Summer</em> score, kind of smushed together.  Scene 5  uses a piece of Michael Andrews&#8217; score to the still-excellent <em>You Me and Everyone We Know</em>, and then back to the Kosemura.  Scene 6: back to the Satie and then finishing on &#8220;Nag Champa&#8221; by Miguel Atwood-Ferguson and Carlos Nino.</p>
<p>The Footnotes:  Since this episode was a total bear, I read a lot about and by Sidis while trying to wrestle it into submission.  There&#8217;s a perfectly readable, proper biography called The Prodigy that&#8217;s out of print but probably at your local library.  Turns out the Sidis fanatics (and they are legion) think the author is pretty harsh on W.J., but, you know, sure.  To dive right into the deep end: run, don&#8217;t walk, to <a href="sidis.net">Sidis.net</a>, a lovingly curated compendium of most things Sidis.  Scans of many of his books and articles.  Links to outside articles. It&#8217;s not one stop shopping, but it&#8217;s like the directory at the mall.  Don&#8217;t be scared off by the fact that the web-design looks like someone clicked on the &#8220;Crazy Conspiracy Theory&#8221; template.  It&#8217;s really well put together.</p>
<p>The Ephemera: If you do read some of his actual writings, Sidis comes off rather well.  However singular and odd his interests and, I suppose, obsessions, are he writes clearly (he&#8217;s not raving) and he&#8217;s often kind of funny in a super-dorky way.  &#8220;Notes on the Collection of Transfers&#8221; is unreadable.  But that&#8217;s only because no one can care about transfers as much as the author does.  I defy you to.  But, that said, Sidis comes off like a genial, almost charming tour guide to the world&#8217;s most boring museum.  It&#8217;s hard not to like the guy.</p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2011/01/six-scenes-in-the-life-of-william-james-sidis-wonderful-boy/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
			<enclosure url="http://thememorypalace.us/podpress_trac/feed/789/0/Wonderful%20Boy%20Mix.mp3" length="13793484" type="audio/mpeg" />
		<itunes:duration>14:22</itunes:duration>
		<itunes:subtitle>The Music:  Scene 1: First song is "Brand New Day" by Worm is Green.  Then a little bit of Gary Numan doing "Trois ...</itunes:subtitle>
		<itunes:summary>The Music:  Scene 1: First song is "Brand New Day" by Worm is Green.  Then a little bit of Gary Numan doing "Trois Gymnopedies," then the second Gymnopedie (lost the name of the pianist).  Scene 2: is a small piece from the score to Please Give, the (quite good) Nicole Holofcener movie.  Scene 3 uses a piece from the soundtrack to Une Parisienne, the Bridgette Bardot movie and then goes back to Gymnopedie 2.  Scene 4 starts with an excerpt of "My Wave, Your Shore" from an Angel Olsen EP (which you should own, by the way). That's followed by "Drop" by Akira Kosemura and something from the 500 Days of Summer score, kind of smushed together.  Scene 5  uses a piece of Michael Andrews' score to the still-excellent You Me and Everyone We Know, and then back to the Kosemura.  Scene 6: back to the Satie and then finishing on "Nag Champa" by Miguel Atwood-Ferguson and Carlos Nino.

The Footnotes:  Since this episode was a total bear, I read a lot about and by Sidis while trying to wrestle it into submission.  There's a perfectly readable, proper biography called The Prodigy that's out of print but probably at your local library.  Turns out the Sidis fanatics (and they are legion) think the author is pretty harsh on W.J., but, you know, sure.  To dive right into the deep end: run, don't walk, to Sidis.net, a lovingly curated compendium of most things Sidis.  Scans of many of his books and articles.  Links to outside articles. It's not one stop shopping, but it's like the directory at the mall.  Don't be scared off by the fact that the web-design looks like someone clicked on the "Crazy Conspiracy Theory" template.  It's really well put together.

The Ephemera: If you do read some of his actual writings, Sidis comes off rather well.  However singular and odd his interests and, I suppose, obsessions, are he writes clearly (he's not raving) and he's often kind of funny in a super-dorky way.  "Notes on the Collection of Transfers" is unreadable.  But that's only because no one can care about transfers as much as the author does.  I defy you to.  But, that said, Sidis comes off like a genial, almost charming tour guide to the world's most boring museum.  It's hard not to like the guy.</itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Looking Up</title>
		<link>http://thememorypalace.us/2010/06/episode-31-looking-up/</link>
		<comments>http://thememorypalace.us/2010/06/episode-31-looking-up/#comments</comments>
		<pubDate>Tue, 15 Jun 2010 23:22:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
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		<category><![CDATA[waldorf-astoria]]></category>

		<guid isPermaLink="false">http://thememorypalace.us/?p=454</guid>
		<description><![CDATA[The jaunty jazz bit is &#8220;Harrlemstrat 74, apt&#8221; from the Modesty Blaise soundtrack. The second piece is &#8220;Bubble Bath&#8221; by Seely. Ends on &#8220;Last Days of Disco&#8221; by Yo La Tengo.]]></description>
			<content:encoded><![CDATA[<p>The jaunty jazz bit is &#8220;Harrlemstrat 74, apt&#8221; from the Modesty Blaise soundtrack.  The second piece is &#8220;Bubble Bath&#8221; by Seely.  Ends on &#8220;Last Days of Disco&#8221; by Yo La Tengo.</p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2010/06/episode-31-looking-up/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
			<enclosure url="http://thememorypalace.us/podpress_trac/feed/454/0/looking%20up.mp3" length="4342770" type="audio/mpeg" />
		<itunes:duration>4:31</itunes:duration>
		<itunes:subtitle>The jaunty jazz bit is "Harrlemstrat 74, apt" from the Modesty Blaise soundtrack.  The second piece is "Bubble Bath" by Seely.  Ends on ...</itunes:subtitle>
		<itunes:summary>The jaunty jazz bit is "Harrlemstrat 74, apt" from the Modesty Blaise soundtrack.  The second piece is "Bubble Bath" by Seely.  Ends on "Last Days of Disco" by Yo La Tengo.</itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Nee Weinberg</title>
		<link>http://thememorypalace.us/2010/05/episode-30-nee-weinberg/</link>
		<comments>http://thememorypalace.us/2010/05/episode-30-nee-weinberg/#comments</comments>
		<pubDate>Tue, 11 May 2010 22:19:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
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		<guid isPermaLink="false">http://thememorypalace.us/?p=445</guid>
		<description><![CDATA[First section is chopped up from the title sequence to Tokyo Story (the Ozu film). Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society. Then, back to the title sequence well: &#8230; <a href="http://thememorypalace.us/2010/05/episode-30-nee-weinberg/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>First section is chopped up from the title sequence to Tokyo Story (the Ozu film).  Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society.  Then, back to the title sequence well: Shoot the Piano Player.  We hear April by Akira Kosumura a couple of times.  Blues for Elvin by John Coltrane.  Grassland by Arkira Kosumura (which gets mixed in with a little snippet from the Eternal Sunshine Soundtrack).  It ends on something else from the Eternal Sunshine soundtrack as well.</p>
<p>There&#8217;s a lot written about Weyman.  The most fun things to read are the original newspaper accounts (there&#8217;s a fun one from the Milwaukee Sentinal on google books; you can find his obituary on NYtimes.com).  But the most comprehensive thing I read was from a New Yorker profile from 1968 (which, incidentally, spends pages on literally psychoanalyzing Weyman).</p>
]]></content:encoded>
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		<slash:comments>7</slash:comments>
			<enclosure url="http://thememorypalace.us/podpress_trac/feed/445/0/nee%20weinberg.mp3" length="9066963" type="audio/mpeg" />
		<itunes:duration>9:27</itunes:duration>
		<itunes:subtitle>First section is chopped up from the title sequence to Tokyo Story (the Ozu film).  Followed by The Bunker by Beirut and a polka ...</itunes:subtitle>
		<itunes:summary>First section is chopped up from the title sequence to Tokyo Story (the Ozu film).  Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society.  Then, back to the title sequence well: Shoot the Piano Player.  We hear April by Akira Kosumura a couple of times.  Blues for Elvin by John Coltrane.  Grassland by Arkira Kosumura (which gets mixed in with a little snippet from the Eternal Sunshine Soundtrack).  It ends on something else from the Eternal Sunshine soundtrack as well.

There's a lot written about Weyman.  The most fun things to read are the original newspaper accounts (there's a fun one from the Milwaukee Sentinal on google books; you can find his obituary on NYtimes.com).  But the most comprehensive thing I read was from a New Yorker profile from 1968 (which, incidentally, spends pages on literally psychoanalyzing Weyman).</itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
		<enclosure url="http://traffic.libsyn.com/memorypalace/nee_weinberg.mp3" length="9066963" type="audio/mpeg" />
	</item>
		<item>
		<title>400 Words for 79th Street</title>
		<link>http://thememorypalace.us/2009/12/episode-23-400-words-for-79th-street/</link>
		<comments>http://thememorypalace.us/2009/12/episode-23-400-words-for-79th-street/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 03:01:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
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		<category><![CDATA[robert peary]]></category>
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		<guid isPermaLink="false">http://thememorypalace.us/?p=333</guid>
		<description><![CDATA[Bookending music is &#8220;Shame&#8221; by Low. Two bits in the middle are by Mi and L&#8217;au: &#8220;They Marry,&#8221; and &#8220;Philosopher.&#8221; You can read lots and lots about Minik Wallace. (So much so that I felt a little lame about doing &#8230; <a href="http://thememorypalace.us/2009/12/episode-23-400-words-for-79th-street/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Bookending music is &#8220;Shame&#8221; by Low.  Two bits in the middle are by Mi and L&#8217;au: &#8220;They Marry,&#8221; and &#8220;Philosopher.&#8221;</p>
<p>You can read lots and lots about Minik Wallace.  (So much so that I felt a little lame about doing it).  There&#8217;s even a quite good American Experience documentary.  However, special commendation has to go out to Kenn Harper, a First Nations author (I believe) from up Canada Way, who not only wrote the (seemingly) definitive <em>Give Me My Father&#8217;s Body: The Life of MInik, the New York Eskimo&#8221; </em> and was the guy who got Minik&#8217;s father Qisuk&#8217;s bones repatriated.  Amazing.</p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2009/12/episode-23-400-words-for-79th-street/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
			<enclosure url="http://thememorypalace.us/podpress_trac/feed/333/0/400%20Words%20for%2079th%20Street.mp3" length="5652656" type="audio/mpeg" />
		<itunes:duration>5:53</itunes:duration>
		<itunes:subtitle>Bookending music is "Shame" by Low.  Two bits in the middle are by Mi and L'au: "They Marry," and "Philosopher."

You can read lots and ...</itunes:subtitle>
		<itunes:summary>Bookending music is "Shame" by Low.  Two bits in the middle are by Mi and L'au: "They Marry," and "Philosopher."

You can read lots and lots about Minik Wallace.  (So much so that I felt a little lame about doing it).  There's even a quite good American Experience documentary.  However, special commendation has to go out to Kenn Harper, a First Nations author (I believe) from up Canada Way, who not only wrote the (seemingly) definitive Give Me My Father's Body: The Life of MInik, the New York Eskimo"  and was the guy who got Minik's father Qisuk's bones repatriated.  Amazing.</itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Oh My!</title>
		<link>http://thememorypalace.us/2009/01/episode-5/</link>
		<comments>http://thememorypalace.us/2009/01/episode-5/#comments</comments>
		<pubDate>Sat, 31 Jan 2009 01:22:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[Music, Footnotes & Ephemera]]></category>
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		<guid isPermaLink="false">http://thememorypalace.us/?p=131</guid>
		<description><![CDATA[episode 5 <a href="http://thememorypalace.us/2009/01/episode-5/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The music is the third track on Panda Bear’s Young Prayer record.</p>
<p>Most of the details in this one come from Pretty-Much-the-Greatest-Book-Ever, The Power Broker: Robert Moses and the Fall of New York, by Robert Caro.  If you read only one thirty five year old, thousand-some-odd page biography of an urban planner this year, make it that one.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>1:27</itunes:duration>
		<itunes:subtitle>The music is the third track on Panda Bear’s Young Prayer record.

Most of the details in this one come from Pretty-Much-the-Greatest-Book-Ever, The Power Broker: Robert ...</itunes:subtitle>
		<itunes:summary>The music is the third track on Panda Bear’s Young Prayer record.

Most of the details in this one come from Pretty-Much-the-Greatest-Book-Ever, The Power Broker: Robert Moses and the Fall of New York, by Robert Caro.  If you read only one thirty five year old, thousand-some-odd page biography of an urban planner this year, make it that one.</itunes:summary>
		<itunes:keywords>Episodes, Music, Footnotes &#38; Ephemera</itunes:keywords>
		<itunes:author>Nate DiMeo</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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