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The music in this one:
We Write Threnodies, We Write with Explosions by Storm and Stress (which is a great, great song).
Then a couple of different John Fahey pieces: Improv in E Minor and Unknown Tango
Then JD002, a pice of Ryuichi Sakamoto’s soundtrack to the Derrida doc. (There’s also a tiny tone from swiped from somewhere else on that soundtrack that get’s used over and over again throughout this episode, but I lost track of from where it was swiped).
A piece called Time Hole on the score to The Master that moves into a piece from the Lincoln score.
Then there’s a thing from Sakamoto’s Babel score.
Song at the end is Prizewinning by Julianna Barwick. That record is rad.
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